Apologies to anyone reading at work with Cheryl from accounting in the next cube possibly viewing topless Russian lesbians who've seen a thing or two. I have a very bipolar visual aesthetic that isn't so easily reconciled under blogdom and I still don't know exactly how to do cuts with this format because I am wicked retahded when it comes to computers.
This shit feels like it's bouncing off the walls of a rubber room in an asylum. My apologies go out to Cheryl, I guess, even though Cheryl is a bitch who needs to MHOB. No I will not resize tits to a more manageable desktop size. Email or comment how if you want to see less of this shit in the future. I need to learn.
I personally need more stimulation than your average bear. More beauty. More horror. More of everything polarizing. It's why I love these photos so much and the books they came from, Russian Criminal Tattoo Encyclopaedia Volume I and Volume II. I checked them out from the library because apparently they're expensive and out of print? I don't understand why things I like have to be rarefied enough through lack of general interest to go out of print but have small cultish numbers supporting their existence with the insane after market to collectibles nerds. Sigh. Why can't I be into normal shit?
If you have Netflix you can rent Alix Lambert's "The Mark of Cain". It humanizes the entire enterprise of criminality. It doesn't try and turn any of the inmates into Jean Valjean, it just reminds you that criminals are humans with frailty and aspirations just like you. It also has these moments of brilliance, in one scene we hear the personal narrative of an inmate with no compunction about killing the three gypsies who robbed his mother's grave for their lack of reverence that transitions seamlessly into him performing a traditional folk tap dance, staying shirtless the entire time. The entire time. Yep. Awesome. To say nothing of the louche charm that runs through all hardened criminals, an unapologetic air that makes you want to know them more. One dude even users a fucking Holly Golightly cigarette holder. In prison. How are you not already not in love just based on my description?
I'm in the middle of reading "Excellent Cadavers" by Alexander Stille too. It explains in great detail how a system of rules and codes that were inviolable by men within the organization. Mafiosi, when introduced to members of other mafia families are introduced as la stessa cossa (the same thing). Similarly the older prisoners in the Russian camps refer to themselves as thieves-in-law. They're bound by the same sort of honor code within their respective families of criminality.
The tattoos are symbolic of experiences, traits, time served, criminal classification, sexual classification and other various loyalties. It's hard to take westernized "body art" seriously after seeing the insane amount of effort, history and context built into these prison tattoos. Tattoo guns created from modified electric razors, black ink made from burning the soles off shoes, using urine as an ink emulsifier. You have to think long and hard about a process that involves those
sorts of steps and has the added bonus of serious blood poisoning
without any assistance from antibiotics. These elegant yet crude methods made tattoos appealing and make the bearer as indomitable as the stars on their knee caps.
I've always felt very Simon Doonan about tattoos. I like that there's finally a
little sect of tattooing that I'm 100% on board with. Gulag tattoos worn with militaristic pride, used as a semaphoric cant. I like that. I get that. I want that. Y'know?