Susan Meiselas is the Diane Arbus of our times. I love this set from a book called Pandora's Box. The décor is so Versailles-cum-Paris, Texas with a twist of Guccione's Caligula.
World class proto-perv gets freaky for the pages of Playboy. Hey Neil Krug, Dali much? I kid, I love your work. It is a little bit of a visual exegesis though. Right?
Paul Outerbridge was the original technicolor perv. I had so much fun looking over the soft depression-era flesh at The Getty when I was in LA last July.
In this modern era it's so nice to find something that is bizarrely erotic but totally naive and fresh at the same time. Rubber swim caps. Pubic Hair. Cellulite. Average sized tits. Band leader jackets. Spiked gardening gloves. It's kind of romantic to think back on a time when fetishes and female archetypes weren't the sole provenance of ye olde internet.
Boys had to catch dirty glimpses of girlies at the swimming pool, sweating at the tennis courts, practicing for drill team after school. People had to work for everything back then. Those sorts of experiences are the way fetishes should be born. Fetishes these days are boring in comparison to that Robert Crumb sort of horny longing because they're so incredibly easy to get at.
For whatever reason, this reminds me of Geoff McFetridge's work on "The Virgin Suicides". He also did the opening credits to "The Zero Effect" that were also very good.